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A free-floating form full of possibilities, dream-like states
and chance. The tormented tenderness of Chopin comes to a
head-on collision with clicking and hissing noises, deep unwordly
basses and hobbling rhythmical structures. It may sound like
an artificial approach, but ends up being absolutely organic
and full of allusions to nature: Winds of white noise, crackling
open fires, the rustling of leaves and waves of echo are all
part of this wonderous and wonderful world. Atonal piano lines
melt into sweet harmonies, then dissolve and steer towards
a strange but overwhelming finale; structures seem to feel
their way through a maze. There’s a linearity in the
pieces, without being strictly repetitive and they can do
with the most minimal of instrumentation.
“Branches get rid of their root” will disappoint
all those who like their music easily cut out along a polar
emotional divide: Sad, happy, sombre, joyful, aggressive,
relaxed. They’re all present, albeit in a transmuted
state. Rather, it’s the kind of album that you’ll
love now and understand later. Simply put: This is the way
future music could go.
Mouvement
Noveau
...this album is not made for those who enjoy light, noncommittal
background listening - get ready to get serious, settle in
your armchair and analyze the atoms of Remot sounds. ...a
synthesis of hatched up, researched electronic sounds, glitch
motives, piano improvisations and emotions... It turned my
Sunday calmness in a weird direction.
Sutemos.net
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